When I first wrote Rise of the Creative Class, I looked at the creative class as one whole unit. Using data from the Bureau of Labor Statistics, I wasn’t able to look inside this new class and how it might vary by race and gender. Over the ensuing decade, to the best of my knowledge, no one else did either. So when I got around to writing the revised edition of the book, Rise of the Creative Class, Revisited, I decided to take a look. With the help of my colleague Charlotta Mellander, we used the American Community Survey to look at the race and gender composition of the creative class. The findings, while not completely surprising, reflect the intersection of these three major fault-lines of American life.